Methods of Book Design. The font was used as the signature font for ABC News from until At the time Plantin was released, Monotype's hot metal typesetting system, which cast new type for each printing job, was developing a reputation for practicality in trade and mass-market printing, but the designs offered by Monotype were relatively basic choices, such as a "modern" face , an "old style" and a Clarendon. A Bibliographic History of the Book: In more recent usage, the magazine Monocle is set entirely in Plantin and Helvetica. Selected Papers on Sixteenth-century Typefaces. Retrieved 15 March
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It can in retrospect be seen to have paved the way fnot the many Monotype revivals of classic typefaces that followed in the s and 30s. Retrieved 14 August Anatomy of a Typeface. Dates are approximate only. In more recent usage, the magazine Monocle is set entirely in Plantin and Helvetica.
The consensus appears to be that not only the wrong-fount a in the cases at Antwerp but also the italic that Monotype adapted for their Plantin which can be seen on that first page of the specimen may be the work of Johann Michael Schmidt diedalso known as J. Nimrod Arial Footlight Calisto Cantoria. Retrieved 2 February Frank Hinman Pierpont Fritz Stelzer.
Matthew Carter and the Interpretation of Historical Models". Monotype's advertising emphasised its popularity with advertisers, highlighting its use in the "Mrs Rawlins" series of adverts for washing starch.
History of the Monotype Corporation. Plantin was a recreation of one of the old types held at the Plantin-Moretus Museum in Antwerp, of which a specimen, printed inhad been acquired by Pierpont on a visit.
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The specimen of Claude Lamesle notable for its printing quality provides a specimen of the Granjon type in its original state. Journal of Typographic Research. The font was used as the signature font for ABC News from until Retrieved 23 May An Annotated Gont to the Literature. Retrieved 28 July The design for Plantin preserved the large x-height of Granjon's designs, but shortened the ascenders and descenders and enlarged the counters of the lowercase 'a' and 'e'.
The Palaeotypography of the French Renaissance: A Bibliographic History of the Book: Photina News Plantin Calvert From Wikipedia, the free encyclopedia. The choice to revive a French renaissance design was unusual for the time, since most British fine printers of the period preferred either Ohotina or revivals of the fifteenth-century style of Nicolas Jenson recognisable from the tilted 'e'following the lead of William Morris 's Golden Typeboth of which Monotype would also develop revivals of.
Not all typefaces shown.
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The Plantin-Moretus Museum, created in from Plantin's collection which had been preserved and added to by his successors, is notable as the world's largest collection of sixteenth century typefaces, leading Pierpont to visit it to research the topic. Views Read Edit View history. Goldsmith's College PhD thesis.
Old style serif typefaces Linotype typefaces Typefaces with infant variants Typefaces and fonts introduced in Monotype typefaces. The revival, derived by Monotype from an indirect and confused original, is as photins a piece of type-making as was ever created in the 20th century…behind the foggy image of the roman type lies the Retrieved 16 December At the time Plantin was released, Monotype's hot metal typesetting system, which cast new type for each printing job, was developing a reputation for practicality in trade and mass-market printing, but the designs offered by Monotype were relatively basic choices, such as a "modern" facean "old style" and a Clarendon.
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Various unofficial digitisations including simple knock-offs and more complete adaptations of Plantin have been released. A Tally of Types. This was actually a bold design based on Caslonwith no phoyina to Plantin but it was also a design advertised as being highly legible, so Dreyfus suggests it may have prompted the choice of design and name.
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